吸血贵利王

　　「教場」シリーズの前日譚にあたる「風間公親－教場0－」は、木村扮する主人公・風間公親の刑事指導官時代を描く物語。最終回のその後をつづる特別編では、堀田真由演じる事務員・伊上幸葉が作ったブロックのミニチュアとともに、これまでに起きた事件や各話のエピソードを振り返っていく。

　　一起致命意外牵起陌生故事的延续。赛门不知道，这个黎明会一去不返。赛门和好友三人于清晨逐海冲浪，尽兴出游换来回程的疲劳驾驶，酿成无法挽回的伤害。年纪轻轻的赛门，人生才刚开始，却因车祸陷入脑死，只能靠生命维持系统活着。就在赛门父母还难以接受事实的当下，医生勇敢告知，赛门的生命可以拯救其他垂危的性命，建议进行器官捐赠配对。同一时间在巴黎，一名深受心疾威胁的母亲正在等待心脏移植，赛门的心跳，将为这位坚强母亲注入重生的力量......

　　年仅21岁的威廉·威伯福斯（艾恩·格拉法德 Ioan Gruffudd饰）在好友威廉姆·彼特（本尼迪克特·康伯巴奇 Benedict Cumberbatch饰）的劝说下加入英国议会。两人共同领导了反奴隶运动，与反对者展开激烈的斗争。然而威伯福斯拟定的关于反黑奴的议案还是被国会否定了。身心疲惫的威伯福斯被议会的明争暗斗弄得心力交瘁，患上大肠炎。1797年，当他来到乡下朋友家静养的时候，遇见了他的崇拜者芭芭拉·史普纳（萝玛拉·嘉瑞 Romola Garai饰）。威伯福斯向她讲述了他所为之奋斗的事业，两人相爱并结了婚。终于，在1807年威伯福斯的议案得到部分通过，坚守反黑奴运动的队伍也开始逐渐壮大。
　　本片根据英国政治家、改革家，废除奴隶制倡导者威廉·威伯福斯的人物原型改编，讲述他在18世纪的英国国会长期坚持反黑奴运动并与反对者展开斗争的故事。影片使用电脑技术将过去影片与现在影像结合在一起，上演一场关于正义与邪恶较量的史诗。

电影《大海寺》剧本由荥阳市佛 教协会和荥阳市文联联合创作，北京 盛世魅影文化传播有限公司投资拍 摄。影片围绕隋朝末年，荥阳郡太守 李渊之子李世民在荥阳一带作战，到 大海寺求医许愿，与“等慈夫人”郑蓉 相识相恋的故事展开。

改编自绵矢莉莎的同名小说，讲述一位长期单身的31岁女子黑田光子脑内有咨询角色“A”，在对人际关系和行为举止感到迷茫的时候，另一个自己“A”总是能给她正确的答案。有一天，光子爱上了比自己年龄小的营业员多田，相信多田君和自己是两情相悦的，已经习惯了一个人的生活的光子，像20多岁的时候一样不能勇敢起来，一边困惑着自己，一边向前迈出了一步。本片是能年玲奈和林遣都初次合作演出，2020年冬季上映。

根据莫扎特歌剧改编的电影版。王子塔米诺被巨蛇追赶而被夜女王的宫女所救，夜女王拿出女儿帕米娜的肖像给王子看，王子一见倾心。夜女王告诉王子，她女儿被坏人萨拉斯特罗抢走了，希望王子去救她，并允诺只要王子救回帕米娜，就将女儿嫁给他……

　　爱德华·詹姆斯·奥莫斯(《银翼杀手2049》《神盾局特工》)将自导自演一部新片《魔鬼有一个名字》(The Devil Has a Name)，大卫·斯特雷泽恩(《黑名单》《哥斯拉》)也参演。该片定义为“一部有关环境的黑色喜剧”，真实故事改编，讲述一个精神错乱的石油大亨与一个固执的农场主展开激烈对峙，因农场的水遭到石油污染。斯特雷泽恩饰演农场主，奥莫斯饰演一位墨西哥移民和知己。Rob McEveety操刀剧本，True Navigator Media投资和制作。

　　Two detectives are investigating a robbery in which $300,000 was taken. Their investigation leads them to the main player and they find the cash, but one of them has meanwhile fallen hard for a woman with expensive tastes, and though he desperately wants to keep her, he knows that a cop's salary isn't going to be enough for her.

　　安（周海媚 饰）和史丹利（方中信 饰）是一对结婚多年的夫妻，两人之间虽然有着很深厚的感情基础，却因为性生活不协调而渐行渐远。面对史丹利的退缩和避让，安感到非常的伤心，于是决定和一帮好友前往泰国散心。
　　安的这一群好友各个都是玩咖，保时捷（张兰英 饰）只追求现在不奢望永恒，总是辗转在一段又一段的闪恋恋情之间。阿肯（麦兆辉 饰）不相信爱情，只相信身体和身体的碰撞。亚基（曾航生 饰）是一名同性恋者，特殊的性取向让他在感情的道路上屡屡碰壁。被这样一群特立独行的朋友们环绕着，安渐渐开始怀疑起自己保守的爱情观来。

　　影片改编自弗朗西斯卡·卡布里尼（克里斯蒂安娜·德朗娜 Cristiana Dell'Anna 饰）争取平等与幸福的真实故事。18世纪末，意大利修女卡布里尼到了纽约后，发现当地的外来族裔受尽政府逼迫、教会漠视和社会偏见之苦。卡布里尼因此决定投身帮助这些弱势族裔，誓言要让所有人充满希望。
　　卡布里尼不仅与当地政府、修会对抗，还要应对社会上层阶级的歧视。面对种种艰巨的挑战，她从不气馁，并以勇气与坚韧一次又一次地战胜困难，改变世界。

　　Synopsis
　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
　　Notes
　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
　　Afterword:
　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.