木兰从军1939

　　1982年，隆冬时节，苍茫大地，人们在渴望春天的到来（包产到户）。
　　王支书要村里恢复演出老戏。“戏篓子”路老鹤，安排杨志刚演男主角，女儿路小芬不情愿。女儿的意中是奎疯子的儿子王树满。
　　在奎疯子眼里，花生是他的“图腾”。有人偷了九亩半的花生，急得他满街乱转。他发现，不止一人拿着花生去路老鹤家……
　　人见人怕的奎疯子，却对路小芬言听计从。整日像个孩子跟在小芬身后走动。
　　这晚，队部秘密开会，整出一份分地计划。不想，计划还没捂热乎就被杨志刚连夜从抽屉里偷了出来，公布于众。王支书被打了个措手不及。
　　奎疯子和霸占了十年的“九亩半”成了“分地”的焦点。
　　“唱戏”“分地”交织中，牵出一段历史悲剧。
　　电影《村戏》剧本改编自《贾大山小说精品集》中的前半部“梦庄生态”部分，主要是《村戏》、《花生》和《老路》等三篇。

　　小柔凭自创“舞武功”把泰国女拳王打败后，慕名而来学艺的人日渐增多。开始开馆授徒，并将武馆命名为光大武馆。光大武馆开业，使另一家武馆——郑氏武馆的徒弟纷纷转投光大武馆，郑氏武馆馆长郑师父对此甚为不满。另一方面，东瀛女摔角高手石川、东城二人来到中国摆擂台后打败无数高手，此时也慕名向小柔挑战……

　　出品单位: 杭州明朗影视制作有限公司
　　一直在外做生意不管村里事情的村主任、靠养鳖发家又热心助人带大家致富的能人、回村创业的大学生村官、仗着哥哥是村主任在村里狐假虎威的几兄弟……
　　他们为了竞选村党支部书记，发生了各种好玩的、激烈的、矛盾的故事……

一名摄影师在得知自己童年时期目击到的不明飞行物又再次出现时，她毅然决然的选择了去踏上寻找不明飞行物的路程。但令她万万没想到的是，一些来路不明的客人也开始参与其中，并且一直试图破坏她的调查计划。

故事讲述了哈米德的故事，他起步于谢菲尔德艰困的工人阶级街区，后被英格尔发掘——英格尔本人也曾是钢铁工人，后转型为拳击教练。尽管看似 unlikely，但两人的合作、纳兹独特的拳击风格、张扬的个性以及他...

　　安東是一個平凡的人，他冒着失去自己公司的風險設計了一個在後來震驚世界的世紀騙局。由於事件的規模過於龐大，他避免不了要面對隨之而來的背叛、謀殺和償還欠帳。

这部影片讲述了少女阿尔玛不断追寻自我身份的故事。阿尔玛的父母是南斯拉夫人，但她从小在荷兰长大，因此认为自己既不属于东方，也不属于西方。她的生活经历让她早早明白了性的奥秘，却依然对世界保有孩童般的纯真。成年之际，阿尔玛决定从荷兰出发，在堂兄埃米尔和其朋友丹尼斯的陪伴下前往波斯尼亚，去见她从未谋面的父亲。在这段离奇波折的旅途当中，发生了许多意料之外的事，但无论如何，阿尔玛都决定坚持到底。在完成找到父亲的计划之前，她必须先找到真正的自我。

　　Synopsis
　　"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
　　Notes
　　"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
　　Afterword:
　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.