不了情1961

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

苏菲（阿曼达·塞弗里德 Amanda Seyfried 饰）与斯盖伊（多米尼克·库珀 Dominic Cooper 饰）的爱情即将修成正果，两人正在为马上来临的婚礼紧张筹备着。不过，在苏菲的心中，一直有一个愿望，就是希望父亲能够在婚礼当天亲手将自己的手送到新郎的手上。可惜，妈妈（梅丽尔·斯特里普 Meryl Streep 饰）一直没有告诉过她到底谁是她的亲生父亲。不得已，苏菲偷看了妈妈的日记，发现其上记录的三个人中的一个很可能就是自己的亲生父亲。于是，她发出了三张请柬邀请他们来参加她的婚礼，想通过这短暂的接触，最终从三人中找出自己的爸爸。于是，在闺蜜的帮助下，在这美丽的希腊小岛上，上演了一出别具特色的寻父记。最终苏菲是否能找出自己的亲生父亲，举行一场完美的婚礼？©豆瓣

　　香港实力派男星吴启华饰演男一号方浪，身为内衣设计师的方浪和御姐港星麦家琪饰演的女主于莎莎是一对互相看不对眼的欢喜冤家。在经历了一次意想不到的奇妙意外后，两人的生活工作发生了翻天覆地的变化，逐渐认识到了爱情和婚姻的真谛。

　　日本的某座城里发生连环抢劫案，但警方在犯罪现场却找不到任何蛛丝马迹。平凡生活着的水野为了帮助佐野博士进行人体实验而变成气体异形，后来水野为了家族衰落的爱人藤谷而多次犯下可怕的罪行…导致最后造成悲剧。

　　Evelyn Prentice is the respected wife of a high-profile New York attorney. Despite the prestige and status she enjoys, she feels neglected and out of boredom becomes involved with an unscrupulous womanizing poet, who gives her the attention she craves. She eventually finds herself a victim of blackmail and becomes involved in his murder. When another woman is accused of the crime, she begs her husband to defend her.

电商创业者关西阳和哈萨克斯坦纪录片导演古仁娜，两个年轻人在理想之路上披襟斩棘。关西阳协助古仁娜拍摄，古仁娜也在关西阳做跨境电商失败时鼎力相持，在国家政策扶持、港务区支持下，实现了各自的理想并成为恋人。

　　故事开始于20世纪30年代的好莱坞，14岁的朱迪（蕾妮·齐薇格 Renée Zellweger 饰）因为其甜美的嗓音而被经纪人梅耶（理查德·科德里 Richard Cordery 饰）看中，就此走上了星途，但此时的朱迪并不知道的是，等待着她的，除了功成名就所带来的的名声和财富之外，更多的是痛苦。 时间来到几十年后，已经40岁的朱迪同丈夫西德尼（卢夫斯·塞维尔 Rufus Sewell 饰）离了婚，独自抚养两个孩子罗娜（贝拉·拉姆齐 Bella Ramsey 饰）和乔伊（勒温·劳埃德 Lewin Lloyd 饰），经济状况十分的糟糕。无奈之下，朱迪做了一个决定，那就是将两个孩子留给前夫，自己前往英国继续打拼事业，可是此时的朱迪的健康情况已经非常的糟糕了，更糟的是，她早已经失去了粉丝们的信任。

讲述了后羿射日后，金乌坠羽扶桑化为金莲，并落入凡间附在一名小游医张怀生身上，红狐红绡、白狐倾城与黑狐夜桑受姥姥之命下凡寻找，并结识张怀生与藏匿凡间的银狐陈襄，在金莲逐渐觉醒后，一人三狐前世今生的旷世爱情故事。

　　墨西哥市的街头，一个失去了同志爱人的孤独灵魂，天涯海角拼命寻爱，冷酷异境的影像风格，让我们想起了《春光乍泄》。男孩开始无尽地与陌生人做爱，他以为这是唯一的方法，用身体遗忘。过度的性爱带来暴力的反噬，男孩被恐同man货痛殴，鲜血滴在粗砺的路上，他仍然揣着爱人的信在怀中，一字一句在爱的痛楚中，慢慢飘向一千朵云上。

　　《初恋慢半拍》是陈骏霖Arvin Chen导演睽违九年的新作，延续前作《一页台北》和《明天记得爱上我》都会浪漫爱情风格，故事描述年近30的男主角小洪外型虽然超帅气，却因为个性木讷而持续更新母胎单身纪录，有天他在表哥介绍下，认识了令他一见钟情的女子乐乐，一段浪漫爱情就在台北夜晚里悄悄展开，除了柯震东饰演䩄腆男孩，徐若瑄在片中也以成熟都会女子的卷发形象现身。

讲述一个女性主义童话故事，为《一千零一夜》的新编，聚焦两个相爱的女人Cherry（麦卡·梦露 饰）和Hero（艾玛·科林 饰）：Cherry与邪恶的男子Jerome（埃米尔·艾尔-马斯里 饰）结了婚，Jerome与他的朋友、好色的恶人Manfred（尼古拉斯·加利齐纳 饰）打赌，看Manfred能否在100晚之内勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送给他。对此毫无兴趣的Cherry与她的女仆兼情人Hero策划了一计：在那100个夜晚，Hero将给Manfred讲述一些吸引人的故事，让Manfred从勾引计划中分心。