金钱怪兽

　　Strike是一名19岁的黑人青年。他是一个Clocker。Clocker是人们对毒品销售链条中最低一级的称呼，他们负责全天候在街头巷尾游荡兜售小剂量毒品。Strike做梦都想摆脱这样的生活。Strike的老板，毒贩Rodney让Strike除掉吃水颇深的另一个Clocker：Darryl。并应允事成之后将Strike升职。Darryl按计划被杀了，Strike兄弟Victor试图为其顶罪，但Strike最终成为了最大的嫌疑人，警察Klein却认为这个案子后面另有隐情，决心找出真相……

　　從曖昧到相戀，從相擁入眠到獨守愛巢，恩夏與舒羽的感情歷經波折。一場意外，讓舒羽昏迷不醒，原本要負起照顧責任的恩夏，卻因為舒羽父母的不諒解，而無法守候在愛人身旁。獨自活在充滿兩人回憶的世界裡，恩夏該如何度過這個艱難的時刻？

　　电影以“时代楷模”卓嘎、央宗姐妹父女两代人爱国守边的先进事迹为题材，由中宣部电影局、电影频道、区党委宣传部联合打造，导演张馨执导。
　　曾经在西藏玉麦乡只有桑杰曲巴一户人家。他们抵抗住环境恶劣、外敌骚扰、亲人病逝等艰难困境放牧戍边34年，如同格桑花一般扎根祖国雪域边陲，为祖国守住数千平方公里的国土。

　　在《蒙特娄的耶稣》（Jesus of Montreal, 1989）中，丹尼·阿岗（Denys Arcand）借着拟讽耶稣受难的故事批判大众传播阻断语言沟通的罪行。在这部电影中，一个年轻而无名的演员克伦应教堂执事之邀，和另外四个人组成了临时剧团，要以现代 化的方式演出这个教堂每年夏天上演的《受难剧》。原本的剧本十分简单，只有几行以宣叙的方式朗诵的经文：「耶稣被宣判死刑，正直的人会死亡，为了我们的罪…我们的杀、窃盗、奸淫，所有的罪都加在祂身上，沉重的木块，沉重的十字架。」这些都是 忠实地取自于圣经的经文。但是，克伦根据有关耶稣的各种古代文本的考据，以及各地有关耶稣的民间传说，改写这出受难剧，例如耶稣是一名士兵潘提拉的私生子，后来因为辗转传，才成为「木匠的儿子」；耶稣的画像在拜占庭时代以前，并没有胡子，后来加上的胡，系为了增加「力量」的缘故；耶稣在埃及时是个魔术师，会变各种戏法等等。扮演耶稣色的就是剧团导演克伦，他在片中的处境，以及他最后因群众暴乱而意外死在十字架上，暗示他与耶稣的相似性。然而，他所面对的困境－－诱惑、敌意 、背叛、遗弃－－不是撒但、罗马士兵、犹太群众或神，而是大众传播的垄断势力、 不懂艺术的观众、以及提供金钱却不尊重艺术的筹办单位。

　　一对即将分离的情侣彼此取暖；一位老妇人沉浸在过往爱情岁月；一对玩伴畅想移民美国，成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯，时间似乎停滞不前，三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去（老妇人）、现在（恋人）、将来（玩伴）的真诚思考，同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系，并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。

Nature takes over when Ben (24) and his father Willem (52) decide to join a group of professional snowboarders to a remote mountain, bringing out their hidden grievances, silent connection and deep instinctual drive to help each other survive.

　　影片讲述了几个怀揣明星梦的年轻人只身来到北京，开始了她们有血有泪的梦想旅程！剧中的几位主人公只是现实社会中那些为了梦想而来到北京闯荡漂泊的无数人潮中的小小缩影，她们在这样一座陌生的城市里举目无亲，无依无靠，历经了种种艰辛和屈辱！有的人取得了成功！而有的人却要接受失败！有人虽经世事，却仍未改变初衷！有人历尽沧桑却丢了真实的自己！扭曲了心灵！一开始她们每个人对梦想都很笃定！以为凭借实力和执着付出就一定能成功！然而现实是残酷的！代价是惨痛的！教训是深刻的！而正是这些痛苦的经历才使得她们冷静下来去认真的思考梦想与现实的距离！重新的认识自己！重新的定位梦想！重新的找回自己！ “北京”是一座梦的城市，它记录了很多人的欢笑！也埋葬了太多人的眼泪！不管这里曾上演过多少悲欢离合的故事！它都留下了我们对青春不悔的祭奠和难忘的回忆！ “北漂”是北漂人的情怀 “明星梦”是很多人的向往 “血和泪”是太多人的经历 ！

　　影片以动人心魄的节奏，还原了1983年第三届板球世界杯赛场上，印度球队一举夺冠的真实事迹。不同人物和叙事线索的交叉剪辑，以及激越昂扬的配乐，将渴望胜利的情绪不断堆叠，令人仿佛置身板球赛场。创作团队邀请到多名印度和英国球员的儿子在片中扮演自己父亲的角色，让真实历史与电影产生了有趣的互文效果。本片获得2022年国际印度电影学院奖11项大奖提名，最终摘获最佳音效奖等3项大奖。导演卡比尔·汗曾凭《小萝莉的猴神大叔》横扫印度各大电影节。

8-year-old Billie leans on her vivid imagination, and her loyal best friend Sherry, to unravel the web of secrets shrouding her mother's true identity.

　　The story follows in the wake of Sylvie who lives in Brest with her two children, Sofiane and Jean-Jacques, whom she’s raising on her own. Together, they’re a joyous family who pull together in the face of adversity. Sylvie works late into the evening while her children stay home alone. One evening, there’s an accident, and Sofiane is removed from Sylvie’s care. The mother must subsequently fight to get her son back and to keep herself afloat…

Netflix Announces Sequel 'Raat Akeli Hai: The Bansal Murders' With Nawazuddin Siddiqui Returning as Inspector Jatil Yadav
Netflix has announced a sequel to its 2020 crime thriller Raat Akeli Hai, titled Raat Akeli Hai: The Bansal Murders. The follow-up sees filmmaker Honey Trehan back in the director’s chair, with Smita Singh once again writing the screenplay. The film is produced by RSVP and MacGuffin Pictures, with Ronnie Screwvala, Trehan, and Abhishek Chaubey attached as producers.

　　On February 2013, Haleem, born in Aleppo, Syria, plans to escape the civil war and go to Germany, where his sister lives, and later invite his family after being granted refugee status. During the transit in Korea, he is caught with a fake passport and denied entry. He is later sent to Turkey where he is denied entry again, ending up back in Korea. After staying in the deportation room in the Korean airport, he is sent to stay at a foreign shelter, when one day he hears of his son's death and goes into a violent rage, unable to handle the sad news. The lawyer in charge of his case continues to challenge his detention, and the Korean Ministry of Justice ends up canceling his Emergency Protective Order without notifying him. Haleem, who unintentionally stepped into unfamiliar Korean soil, finds himself working illegally at a construction site, where he meets Riyadh, an unregistered Arab resident. They comfort each other's pain and develop a father and son relationship. Haleem, who had saved money to bring in his family to Korea, spent all his hard- earned money paying off Riyadh's father's debts. With the help of Youssef, a Christian Arab, Haleem gets a job at a junkyard and a place to stay. But Riyadh gets into a serious accident and is pronounced brain dead after he is chased by immigration officers. The church elders and ministers plot to use Riyadh's organs for their church main elder's transplant surgery. They try to persuade Haleem to concede by telling him that the church can bring his wife and daughter from the Turkish refugee camp to Korea along with their missionary group. Haleem falls into a religious conflict and moral dilemma, leading other Arabs around him to misunderstand him. A story about a person stuck in the midst of cultural, religious, ethnic, and national conflict.