这个男人来自地球

　　2010年11月11日，在美国某个农场内，农场主霍伊特·米勒（Jon Gries 饰）的儿子科迪（Nash Lucas 饰）迎来了快乐的八岁生日。谁知刚才还在摄像机前玩耍的男孩，一道蓝光过后竟然凭空消失，下落不明。霍伊特一度为此吃上官司，饱受争议。而美国政府也注意到这一离奇事件，因此于2011年拍出一支调查组前往米勒农场。该调查组由社会文化人类学博士山姆·格林（Steven Berg 饰）、洛杉矶记者卡梅隆·莫菲（Devin McGinn 饰）、摄影师布瑞顿·斯隆（Michael Black 饰）、兽医丽莎·摩罗（Erin Cahill 饰）等专业人士组成，他们在米勒的家中安装了全方位无死角的摄像头，时刻捕捉房间内的一举一动。在此期间，动物群体死亡事件、超离奇噪声等诡异现象交替上演，隐藏在农场上空的秘密却难以窥见……

　　小狄（徐娇 饰）是一个在贵族学校念书的穷孩子。他诚实善良，却总是遭到富家子的欺负和嘲笑。小狄和爸爸（周星驰 饰）住在一所废弃的旧房子里，爸爸每天拼命的工作，就是为了让他念好书，将来出人头地。
　　平日，小狄总是很乖，就算体育课因为没有运动鞋而被老师罚站，他也从不埋怨爸爸。可是这一次，为了一个大家都有的玩具，小狄跟爸爸发起脾气来。爸爸买不起，就在垃圾堆里捡了一个“球”给儿子玩。谁知，这个透明的小球却变成一只活泼可爱，拥有超能力的太空狗。小狄欣喜极若狂，给他取名叫“长江七号”。小狄梦想着用七仔的超能力考100分，却没想到七仔非但没有帮到他，却让他得了个零蛋。他偷偷修改了成绩单，跟爸爸说了一次谎。爸爸大怒，小狄离家出走，赌气要凭真本事考好成绩给爸爸看。谁知，正当小狄笑着，拿着成绩单的时候，工地发生事故，爸爸从楼上摔了下来……

　　U.F.O. Blue Christmas

　　在一个遥远的星球上，一艘坠毁的宇宙飞船上的后代受到了神秘力量的影响，这些力量使他们在短短8天内衰老并死亡。他们还必须住在洞穴里以躲避夜间的严寒和白天的酷热。一个小男孩决心要回到把他们带到那里的那艘船上。但他将如何在剩下的短短时间内完成这一切呢

　　故事紧承上一部展开。在丈夫为保护家人牺牲后，伊芙琳（艾米莉·布朗特 饰）不得不独自带着孩子们（米莉森·西蒙斯、诺亚·尤佩 饰）面对全新的生存挑战。他们将被迫离开家园，踏上一段未知的旅途。在无声的世界里，除了要躲避“猎声怪物”的捕杀，铺满细沙的道路尽头还暗藏着新的危机。

　　洛杉矶最近黑帮的团伙成员一个个被人残忍杀害，警局认为黑帮火拼又开始了。于是派出探员麦克（丹尼•格洛弗 Danny Glover 饰）去调查这次事件，并将凶徒乘之于法。不料麦克出师不利，反遭这些凶徒袭击，差点丧命。凶徒能杀人于无形，具有隐身的能力。
　　原来这是一群来自外星的专门狩猎人类的怪物，能隐身、身上具有多种武器并能利用红外线监测到人类准确位置。联邦调查局也注意到了这一情况，他们派出了特别行动小组想活抓这些怪物作研究。然而麦克心里只有消灭怪物未受害者报仇这一念头……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.

　　一个年轻人有一种罕见的礼物，可以识别他听到的每一个声音。在一艘法国核潜艇上，一切都依赖于他，金耳朵。
　　看上去绝对可靠，他犯了一个错误，让船员处于死亡的危险之中。他希望重新获得同志的信任，但他的追求会让他们陷入更加戏剧化的境地。
　　在核威慑和错误信息的世界中，他们发现自己被困在一个无法控制的装备中。

　　一个运气不佳的自行车手迈尔斯某天偶然发现一只先进、机器、军用的机器狗A.X.L.，其心脏是真狗的心脏，其他部位装备新一代人工智能。迈尔斯和AXL在日常交往中逐渐增进感情，而无赖军事科学家要不顾一切将AXL捉回，迈尔斯与他的梦中情人、足智多谋莎拉组队，为保护他的新朋友，踏上了一段史诗般的冒险旅程。

　　犹太天才数学家马克西·米利安·科恩（希恩·格莱特 Sean Gullette饰）痴迷沉醉于数字的世界，他认为一切自然界的事物都可以用数字解释。他潜心研究，试图透过数字推演出种种生命迹象背后的奥秘和规律。可越是逼近答案，他越是无法忍受致命的头痛。他发现了过去十年来股票市场的混乱波动，其实是由背后的一套数学模式在操纵。与此同时，他的研究引来了华尔街股票市场的炒家们和犹太神秘教派的注意。在介乎真实与虚拟的世界中，马克西正在走向疯狂。
　　1996年2月，阿伦诺夫斯基开始筹备这部成本只有六万美元的长片处女作。两年后，《死亡密码》以其新颖的创意和崭新的拍摄手法，一鸣惊人。先是斩获圣丹斯电影节的导演奖，翌年又摘得独立精神奖的最佳编剧处女作奖。2000年，他再次自编自导了《梦之安魂曲》，也赢得了不错的反响。2005年，他还入围“最需要关注的好莱坞100人”。