珊姆的孩子才出生就被人偷走，让她的心理遭受严重冲击，为了追踪真相，珊姆对网络上的「红房病毒感染者社群」进行探索，并结识了一个叫碧的女孩。挖出更多骇人事实的珊姆也替自己引来威胁，她被一个专门研究红房病毒的神秘机构绑架，遭受惨无人道的囚禁，但是她没有时间绝望！在红房病毒升级并发动最终攻击前，珊姆必须设法逃脱，否则她赖以生存的世界，将发生难以挽回的灾难……
四个二十几岁的人发现自己被困在一个闹鬼的古董床上,只要离开这个床就会离奇死亡，他们必须要冲出重重幻觉并找出这个古董床的可怕秘密，否则面临他们的将会是接二连三的死亡。
为实现祖母的最后要求，不情愿的卡林在男朋友杰弗陪伴下，驱车前往以前的老房子以便清理出售。在到达时，两人遇到了神秘莫测的皮尔斯，住在马厩的他照管着马匹，并不知怎么的卷入充满黑暗秘密的房子，拒绝在没有捎上其居住者一起的情况下安然逝去。
毕仁陪阿柯往小梅沙旅游，享受阳光海滩。阿柯无意中拾获镶有钻石的太阳眼镜，就此招惹邪灵缠身。毕仁马上把太阳眼镜丢弃，与阿柯回港。回港后，阿柯发现眼镜仍在旅行袋，以为毕仁大意没有丢掉，两口子为此吵架。阿柯入睡后，戴上眼镜、穿上泳衣在大厅游泳，醒来时告诉龙娣在梦中目睹少女在沙滩被杀。阿柯把眼镜带回海中，不幸遇溺，迷糊间看到凶案过程。
单身孕妇朱莉娅刚刚失去工作，这对她来说犹如世界末日。新朋友阿拉娜为她带来了及时雨，因为她知道有人正四处寻找孕妇，并会为她们的阳性反应的验孕棒付费。
2012年，西班牙裔大男孩杰西·艾瑞斯塔（安德鲁•雅各布 Andrew Jacobs 饰）和好友们高中毕业。炎炎夏日，男孩和家人们饮酒作乐，欢天喜地，每天则与赫德（Jorge Diaz 饰）则玩着各种各样的蠢蛋游戏。杰西楼下住着名叫安娜的胖女人，某天他们用摄像机偷窥安娜的房间，竟然目击到了神秘惊悚的一幕。传说中安娜是名女巫，这由此勾起了两个大男孩的探险欲望。某天晚上，同学奥斯卡惊慌失措从安娜的房间逃跑，不久后安娜的尸体则被警方发现。在此之后，杰西、赫德拿着摄像机进入安娜家中探险，兴奋之余，他们不知道自己正置身难以逃脱的恐怖漩涡。 偶然机缘，杰西发现自己拥有了超人的力量，而影响深远的恐怖故事就此上演……
5 cousins discover a diabolical game that meets their deepest desires, they just have to be prepared to lose the most valuable things in their lives.
A mysterious man (Malcolm McDowell) comes to meet a woman living in a house in the woods. Who are they and why are their lives meant to cross? What kind of fate is in store for them?
玛丽亚是一位前途无量的青年作家，也是一位初为人母的母亲，她无意间发现了一则令人不寒而栗的新闻:一名法国妇女在浴缸中溺死了她10个月大的双胞胎。这一令人毛骨悚然的行为引燃了玛丽亚的想象力，成为她的一个心结。她为什么要这么做?从那一刻起，杀婴案便如一团阴影笼罩在玛丽亚的生活中，挥之不去。
Tensions rise when a stripper and a religious protester are trapped together in a peep show booth and must come together to survive the apocalypse.
影片讲述艾蜜莉跟朋友在一个废弃的空地底下，发现了一个可以不断复制出金币的宝箱，引来了杀身之祸的故事。
身首异处的艾云妮，被邪恶的术士许铭才下了恶咒，令她不能投胎转生，吕启文为了爱决帮助云妮，但害了女友及好友维中，无计可思下央求女警丁国森帮忙但不敌，后请师傅孔自然出山，但铭才得势不人，设下陷阱把孔打伤，但才不知不觉堕进孔的局中局里，利用才的好色心使他法力尽失，妮终可报仇血恨，但文不舍妮离去，甘心为爱牺牲甘为鬼，延续人鬼情未了式的爱情……
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
