体育俱乐部

影片包含了罗杰·瓦迪姆、路易·马勒和费德里科·费里尼三位名导所拍摄的三个短片，内容天马行空，环环相扣。 　　《门泽哲斯坦》：康泰莎女伯爵（简·方达 Jane Fonda 饰）的所爱慕的对象竟然是一匹马！原来，她死去的情人的鬼魂附在了马的身上，引出了一段离奇的人马之恋。 　　《威廉·威尔逊》：威廉（阿兰·德龙 Alain Delon 饰）发现世间竟然真的有和自己长得一模一样的人，而那个人似乎整日徘徊在他的身边，每当威廉要干一些坏事时，那个人就会出现进行阻止。他真的存在吗？他这么做的意图又是什么呢？ 　　《该死的托比》：为了高额的片酬，托比（特伦斯·斯坦普 Terence Stamp 饰）踏上了前往罗马的旅途，在路上，他遇见了一个可爱的女孩，却想不到，这个女孩竟然是魔鬼的化身。

　　主人公仁藤俊美是一流大学毕业的银行精英，有着幸福美满的家庭。在某日下午，他以“想要有地方放书”为由，突然杀害了妻子和女儿。随着庭审的进行，仁藤不为人知的过去逐渐被揭开……

明朝嘉靖年间，户部侍郎杨继康（董柯娣 饰）因不满朝内奸臣严嵩专权，借口年事已高，欲告老还乡。在他六十寿辰之际，众女儿及夫婿前来拜寿，并争相提出养老送终。三女杨三春（何英 饰）携夫婿邹应龙（方雪雯 饰）前来拜寿，因礼薄遭娘家人冷遇。二姐（吴海丽 饰）持宠欺凌妹妹和妹夫，并唆使杨夫人（徐爱武 饰）将三春和应龙逐出杨府。因受族弟诛连，杨继康全家被逐出京城。二姐见家父落魄，拒绝抚养，昔日同窗摄奸臣淫威，也不敢收留杨继康夫妇，致二老和婢女翠云（何赛飞 饰）流落街头。绝境中，三女杨三春念人伦，将二老接回家奉养。三女婿邹应龙设计斗倒严嵩，杨家冤案昭雪......

　　市政府市民科科长渡边勘治（志村乔饰）是名近三十年全勤的模范公务员，然而他和同事们每天忙碌却人浮于事，不知道自己在忙些什么。一帮妇女联合到市政府申请填平社区附近的臭水池，在上面建造个小公园。市民科的接待人员告诉她们要把问题反映到土木课，公园课把她们推到建设科……，申请书转 了一圈后，又被踢回市民科。
　　一个月后，渡边因身体不适，去医院被查出胃癌，时日无多。渡边回到家，感到孤独无助，儿子（金子信雄饰）只想着用老人的退休金及储蓄，到外面另辟小家庭。绝望中的渡边没有去上班，借酒浇愁。之后，请辞的女科员小田（小田切美善饰）给了渡边以启示。他打起精神，亲自督促建设社区公园。几个月后……

　　不谙世事的台湾乡下男孩阿亮，在一间神秘破旧、不知因何原因被烧毁的旧庙里玩耍着。当他磕磕绊绊地爬上旧庙房顶的时候，竟意想不到地进入了一个奇幻的世界。阿亮先是偶遇了一群神明公仔，又接连遭遇了一系列魔幻事件。当阿亮遭到别人欺负的时候，神秘男孩阿太挺身而出，解救了阿亮。很快，阿太就跟阿亮成为了好朋友。此后，两个男孩居然重回到寺庙香火鼎盛的时候，阿亮更发现了寺庙被烧毁的原因。
　　这部取材自台湾乡土文化故事，充满魔幻宗教色彩的数字动画短片，是由台湾文化艺术基金会项目补助的动画短片，历时两年完成。本片荣获2011年台湾金穗奖最佳动画片优等奖。

一部关于美国作家弗兰纳里·奥康纳的传记片，玛雅·霍克担任主演，讲述上世纪50年代，弗兰纳里·奥康纳努力出版首部小说《智血》时的生活。

　　Henry is an introverted architect. After the death of his wife in a car accident, he sets out to help Millie, a homeless teen, to build a raft to sail across the Atlantic.

本片根据丽贝卡·米勒的小说改编。 　　布蕾克·莱弗利饰演少女时期的皮帕·李。 　　丽贝卡的丈夫影帝丹尼尔·戴-刘易斯以布景师的身份参与了这部影片的拍摄。 　　在五十岁的时候，皮帕·李（罗宾·莱特·潘 Robin Wright Penn 饰）已经和一名很有才气的出版商人结婚了30年，有两个事业成功的双胞胎儿子，还有一个她很敬重的朋友兼邻居。但是，丈夫决定退休后要离开纽约搬到郊区过田园生活，而且皮帕·李发现丈夫还与一个比她年轻得多的女人有染，在生活遭到打击的情况下，她回忆起自己的过往，发现了自身的真正需求，以相当大胆方式揭露了丈夫的另一面，也给自己找到了生活的另一条出路……

　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

Childhood friends from Boston drift apart following a shocking discovery deep in the woods of Savin Hill. Years later a tragic murder brings them together again. But for one man, it's no mistake. A trap has been set... After serving time for a crime he didn't commit, TOM GREYS is released from prison with a score to settle: he is dead-set on tracking down the man who set him up...