在听到隔壁汽车旅馆房间传出令人不安的声音后，一名逃犯和他的女友成了臭名昭著的杀手 “苍白面孔 ”杀手的猎物。
數年前，一起駭人事件讓里妮（塔菈芭絲洛 飾）失去了媽媽和最小的弟弟。如今，里妮和爸爸、弟弟、妹妹搬到公寓居住，努力重建生活。他們原本以為，住在房客眾多的公寓比較安全，但在邪惡力量再度找上門時，這一家人才意識到，素未謀面的鄰居反而可能帶來更多危險……。
Phobia is a 2017 British/Italian horror anthology film produced by Tony Newton.The film delves into the horrors of an individual phobia via each segment.
A murderous religious cult is way-laying travellers and stealing goods in nineteenth century India. As the disappearances mount and trade becomes difficult, the British East India Company is forced to act. But they give the job to an upper-class officer completely out-of-touch with the country rather than the obvious candidate who has been in India for years and well understands the people and culture.
Adapted from the adult party game of social deduction, created by Dimitry Davidoff in 1986, Werewolf Game is a death-game, horror mystery film. Twelve kidnapped strangers must play a game where they vote on who amongst them to murder. At night, the "werewolves" hidden among them come out to brutally kill one of the 12 "villagers" in return. The days repeat until one winning gro...
A puppeteer's ability to bring inanimate objects to life attracts the attention of the Nazis during World War II.
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
The occupants of a van transporting a wounded excursionist have to avoid sitting next to her during the trip.
美国游客山姆隔着美术馆的玻璃窗，瞥见一宗企图谋杀，他的及时出现让凶手逃走了，获救的女子芳名莫尼卡。不久，山姆仿佛受了蛊惑似的对这宗谋杀着了迷，他决定追踪凶手的下落，这自然让他的女友朱丽娅很不快；而同时他和女友也开始接到威胁电话……
