花仔多情国语

A medieval romance novelist is hired to be a matchmaker for a real-life prince in a desperate attempt to find true love before the fixed royal wedding date.

　　年轻的银行职员萨姆（帕特里克•斯威兹）与未婚妻美莉（黛咪•摩尔）相爱极深，在朋友卡尔（托尼•戈德温）的热情帮助下，他们搬进一幢漂亮的公寓，做着结婚前的准备。某晚看戏归来时，他们遭遇持枪歹徒，与歹徒搏斗时，萨姆不幸中枪身亡，美莉悲痛欲绝。
　　萨姆变作幽灵，发现卡尔是导致他死亡的幕后策划，而为了窃取银行里的巨款，他又对美莉展开追求，以便获得萨姆所掌握的密码。为了保护美莉，萨姆常常游荡于她的周围，并渐渐地学会了如何使用力量，但他苦于无法同美莉交流。在能与幽灵沟通的灵媒奥塔的帮助下，他与美莉取得联系，但美莉起初并不相信，直到事实令她感受到萨姆的存在，可是，深深相爱的两人仍无法直接接触和交流。

活泼纯真的澳大利亚姑娘珊迪·奥森（奥莉维亚·纽顿-约翰 Olivia Newton-John饰）在暑假去美国游玩时，邂逅了学校“硬汉帮”的老大丹尼·祖克（约翰·特拉沃塔 John Travolta饰）。对丹尼一见钟情的珊迪，极不情愿地与丹尼吻别后踏上了回家的归途。一段青 涩甜蜜的初恋，就这样随着炎热的夏天结束了。然而峰回路转，桑迪的父母决定移居美国，更令桑迪激动的是，她发现自己居然和丹尼在同一所学校读书。为了追求丹尼，原本端庄稳重的珊迪变得赶时髦潮流，也故意和全校有名的帅气运动员约会。然而事情却不像珊迪期望的那样进行着。 　　本片荣获1979年第51届奥斯卡金像奖最佳原创歌曲提名，1979年第36届金球奖电影类-音乐喜剧类最佳影片提名、最佳女主角提名等多项大奖。

　　Based on the cookbook Sitting in Bars with Cake by Audrey Shulman.

　　A love story set in the electronic music industry.

　　摄影师杨展追求叶文惠十年，叶文惠发现未婚夫宋方明出轨，为了报复未婚夫而与杨展发生关系，但没多久，叶文惠与宋方明复合，一脚踹开了备胎杨展，痛不欲生的杨展跟踪宋方明，发现宋方明的出轨对象竟然是叶文惠最好的闺蜜刘畅，但杨展并未将这一真相告诉蒙在鼓里的叶文惠，因为经过三个月的跟踪，杨展潜心模仿宋方明的言谈举止，整容成宋方明的相貌，最终杀死宋方明，替代宋方明与叶文惠走进婚姻殿堂。但很快，在复仇与负罪的阴云下，杨展把叶文惠当做自己变态扭曲心理的发泄口，上演了一幕幕性虐与虐心的惨剧，就在叶文惠察觉“丈夫”真相的时候，事态急转直下，叶文惠像变了个人一样与宋方明和好如初，究竟是叶文惠要展开更大的反扑还是两人之间还有更多的谎言与诡计，影片或许会给出更离奇的答案……

　　1950年，美国某岛上的一位当地居民卡尔夜间出海捕鱼时身亡，警长认为此事疑点诸多，颇有排日倾向的法医将日裔居民宫本一雄牵入此案，法院随即对宫本展开审判，岛报记者伊斯梅尔（Ethan Hawke 饰）因个人关系对审理十分在意，原来宫本之妻金田初枝（工藤夕贵 饰）是伊斯梅尔青梅竹马的恋人，后来美日宣战，岛上的日裔居民开始遭受排斥，金田一家也受到了不公对待，被遣往集中营看押劳动，伊斯梅尔仗义执言反被同胞威胁，这段恋情不得不随之终结。伊斯梅尔查询事发当夜岛上的天气记录，得到了比尔是死于意外的重要证据，但这就意味着他与初枝的复合再无可能。随着审判的进行，越来越多的证据指向宫本，同时平息不久的战争让当地人对日裔怀着有色眼镜看待，伊斯梅尔反复考虑做出了最后的决定……
　　本片获2000年芝加哥电影评论协会奖最佳摄影奖等多项褒奖。

　　《親愛的，原來是你》(Love, Rosie)改編自全球破億經典愛情電影《留給最愛的情書》(PS, I Love You)原著小說作家Cecelia Ahern另一幽默感人作品《Where Rainbows End》。由基斯頓迪他(Christian Ditter)執導，《魔鏡•魔鏡:白雪公主決戰黑心皇后》莉莉歌蓮絲(Lily Collins)及《飢餓遊戲》系列森加芬(Sam Claflin)主演。故事講述青梅竹馬的二人，一同成長面對大世界，一直處於「友達以上，戀人未滿」的狀態，卻各自遇到戀愛上的酸甜苦辣，直到最後發現，最愛的原來就是對方。二人首次合作即默契十足，火花閃耀大銀幕。為今個聖誕，帶來最觸動人心、最浪漫感人的愛情喜劇。

　　Two chimney sweeps living in monogamous, heterosexual marriages both end up in situations that challenge their views on sexuality and gender roles.

　　利齐·博曼医生（DeLoach）是一位单身母亲，医院管理员决心改善医院的状况，同时照顾她的小女儿奎恩。利齐是非常A型有条理，注重细节。但是，当新的EMS飞行员查理·艾伦（赫夫纳）进入利齐和奎因的生活时，所有的变化都发生了变化。查理挑战利齐给自己的限制，尤其是她对飞行的恐惧。

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

　　女孩夏初蕾（林青霞）在家有偶像父亲、慈祥母亲疼，在外有梁家三兄妹爱，日子过得无忧无虑。吊儿郎当的梁家老二致中（马永霖）是她的男朋友，由于两人都很任性，日子久了摩擦不断，好在每每有了委屈，总有她心中的好哥哥、谦谦君子致文（秦汉）和好妹妹、大学同窗致秀将她安慰，她不知的是，致文对她的爱早超越兄妹之情。
　　致中偶然结识雨婷，认定她才是自己的真命天女，以性格不合同初蕾分手，分手之前，他当着全家人的面出手打了初蕾，初蕾虽心痛不已，却因之读懂了致文的心思，但是不敢接受，直到听闻致文有心离开台湾，她才如梦方醒。但就在准备冲破一切和致文在一起时，她听到父母的争吵，精神世界瞬间崩塌。