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mm2hk全新港产惊悚电影。有别于直接呈现骇人恐怖的旧年代港产鬼片，创造内在无形的恐惧，更能诱发最贴切的共鸣。在你洗澡的时候，在你上床去睡的时候，在你日常生活的时候…

看起来有些格格不入的山姆（安德斯·丹尼尔森·李 Anders Danielsen Lie 饰）来到前女友组织的喧嚣派对之中。整个晚上人们纵情狂欢，高歌劲舞，山姆焦灼地穿梭而过，渴望早些取到想要的东西快些离去。许是神经过于紧绷，疲惫的山姆瘫坐在沙发中沉沉睡去，全然没有听到门外传来的撞击声和尖叫声。次日一早，山姆醒来，正准备带着个人物品离开，结果却发现房间墙壁、地板满是血迹，此前活生生的人全部变成了嗜血如命、丧失人性的僵尸。街道上僵尸狂奔，搜寻猎物。无助的山姆被迫困在公寓里，他试图逃生，然而整个城市似乎已经被绝望和死亡所主宰…… 　　本片根据法国作家PitAgarmen的小说改编。

讲述了一位励志演说家感染了一种源自她家乡的神秘病毒后拼命试图阻止这种寄生生物对她身心的折磨和控制。

　　1989年与小丑（比尔·斯卡斯加德 Bill Skarsgård 饰）的大战过后，窝囊废联盟的好友们各自长大，他们曾经相约当黑暗再次到来时，将再次集结德里镇，与小丑做最后的决断。可是当小丑再度出现的消息到来之时，窝囊废联盟的好友们却迎来了前所未有的内心冲击。有的人选择终结生命，而比利（詹姆斯·麦卡沃伊 James McAvoy 饰）、瑞奇（比尔·哈德尔 Bill Hader 饰）、贝弗莉（杰西卡·查斯坦 Jessica Chastain 饰）、本（杰·瑞恩 Jay Ryan 饰）等人却在留守的麦克（艾赛亚·穆斯塔法 Isaiah Mustafa 饰）的召唤下重返噩梦故乡。愈加狡猾的小丑肆意攻击着每个人心灵最脆弱的部分，噩梦似乎没有终结……
　　本片根据斯蒂芬·金的同名原著改编。

　　三个恐怖短篇小说，包括：一个女人试图抢劫坟墓时遇到的故事；一个女人把她的儿子从死里召回的故事（完全照搬死亡之夜 Dead of Night (1977)中的第三个故事）；以及一个非洲娃娃复活的故事。

一系列奇怪而可怕的事件发生在一位年轻女孩身上，她目睹了她的母亲因超自然力量而死亡。 召唤一位与另一位女孩有类似经历的医生，揭开了秘密和可怕的事件，导致了意想不到的结果。

A group of friends get trapped at a amusement park and strike out an attempt to survive against a mutated rat known as The Killer.

When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.

　　电影包含10个怪谈主题所组成：密室逃脱、人体模型、变脸游戏、婚姻、二手家俱、层间噪音、魂游、寄生虫、红衣服、隧道。

　　Michael is a successful actor, but he has a scandal in his past: at a tender age he knifed his father to death. He and his girlfriend Deborah go to his mother's for the weekend, and are joined by the director and others from a recent film project, who are given a rather cool reception by the superstitious housekeeper Oliver. Soon rude things begin happening to some of the guests, and Michael fears a repeat of his nightmare past is in progress

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.