回溯迷踪2015
3.0 |03月26日 |HD
简介:

  故事发生在1990年,美国一名汽车修理工约翰·格雷(大卫·丹席克 David Dencik 饰)因涉嫌猥亵自己的女儿安吉拉(艾玛·沃森 Emma Watson 饰)而遭到逮捕。负责调查此案的警官布鲁斯·肯纳(伊桑·霍克 Ethan Hawke 饰)对约翰展开问询,而在这一过程中约翰起先承认罪行,随后又突然失忆。为了应对这一突发状况,心理学教授肯尼斯·睿恩斯博士(大卫·休里斯 David Thewlis 饰)也介入调查之中。他们发现,约翰信奉崇拜魔鬼撒旦的黑宗教,甚至布鲁斯的搭档都有可能参与其中。布鲁斯和肯尼斯想方设法要打开嫌疑人和受害者的记忆闸门,让他们想起最不堪回首的一段往事……
  本片根据真实事件改编。

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简介:

  Robin Hardy 1973年的The Wicker Man的续集
  年轻的夫妇贝丝和史蒂夫,从德克萨斯刀苏格兰度假.此地的迷人风光和居民的热情好客,让他们不胜欣喜.然而,渐渐地,这个风光秀丽的小镇不为人知的狰狞面目渐渐破开迷雾,等待他们的,是一场不可想象的恐惧和灾难...
  Charmed by the residents of Tressock, Scotland, two young missionaries accept the invitation to participate in a local festival, fully unaware of the consequences of their decision.
  Young Christians Beth and Steve, a gospel singer and her cowboy boyfriend, leave Texas to preach door-to-door in Scotland . When, after initial abuse, they are welcomed with joy and elation to Tressock, the border fiefdom of Sir Lachlan Morrison, they assume their hosts simply want to hear more about Jesus. How innocent and wrong they are.
  When two young missionaries (Brittania Nicol and Henry Garrett) head to Scotland, they are initially charmed by the locals in the town of Tressock, and agree to become the local Queen of the May and Laddie for the annual town festival. But the couple is not prepared for the frightening consequences of their decision, and the very disturbing secrets they are about to discover about Tressock's seemingly friendly townspeople.

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主演:克里斯托弗·李,凯拉·卓别林,苏西·阿米,汉妮萨科·维克斯
残酷
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更新时间:03月28日
主演:Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata
简介:

  Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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