千钧。一发

　　
　　电影剧情：
　　抗日战争前，梅海玲和宋大明订下白头之约。不久海玲之弟保年病重，大明迫得向黑道中人借钱，海玲不欲大明从此被黑社会控制，便毅然下嫁七十岁的富翁古寿南，大明反而误会海玲贪财，决定回内地发展。寿南实是正人君子，在明白了海玲的苦况后，他便答应与海玲做挂名夫妻。抗日战争爆发，寿南家财尽失，精神失常，海玲带他回娘家，保年仍不屑姊当年因贪财抛弃大明，一怒离去，后遇上大明。战争结束，寿南身故，海玲一边打听保年和大明之消息，一边艰苦求生。二十多年过去，海玲已年近五十。大明事业发展得如日中天，对海玲念念不忘。巧合地海玲到大明家工作，重遇弟弟和大明，两人明白当日海玲的牺牲，皆感惭愧。大明和海玲终偕白首。
　　外文名：White-hair lovers
　　出品时间：1966年
　　出品公司：岭光影业公司
　　制片地区：中国香港
　　类 型：爱情
　　上映时间：1966年04月27日
　　对白语言：粤语
　　色 彩：黑白
　　职员表：
　　导演：黄卓汉
　　编剧：杨捷
　　摄影：孙伦
　　剪辑：宋明
　　道具：何冠
　　灯光：何冠
　　录音：张华
　　剧务：林醒凡
　　场记：吴石
　　布景师：陈景森
　　监制：黄卓汉
　　制片：黄杰
　　化妆：李炳南
　　场务：江华
　　洗印：李福
　　演员表：
　　角色 演员 备注
　　梅海玲丁莹----
　　宋大明朱江----
　　苏炳文王伟----
　　梅保年蓝天----
　　赵灵洁李云嫦----
　　古寿南骆恭----
　　梅二婶黎雯----
　　三姑马金娘----
　　周同广张志荪----
　　医生李寿祺----
　　亚标冯敬文----
　　梅保年（幼年） 安伟琏 ----
　　亚成林煜----
　　总管王克----
　　厨师袁立祥----

　　二十世纪70年代，旧金山出现了一个自称“十二宫”的杀人狂，杀人后，向媒体寄一封信，留下密码、线索，向警方挑衅，多次的阴差阳错使案件陷入僵局，警方渐渐束手无策。连环杀人案件也引起了《旧金山纪事报》的记者罗伯特（杰克•格兰恩哈尔 饰）和保罗（小罗伯特•唐尼 饰）的注意，他们在警察大卫（马克•普法洛 饰）的帮助下，开始调查这一系列的连环凶杀案件，在和“十二宫”杀手斗志斗勇的同时，他们个人的生活也面临了极大的挑战。

　　故事发生在墨西哥城的一个中产阶级社区“罗马”，讲述年轻女佣克里奥（雅利扎·阿巴里西奥饰）在雇主索菲亚（玛丽娜·德·塔维拉饰）家中工作，该家中索菲亚的丈夫长期在外，由女佣克里奥照顾索菲的四个孩子。突如其来的两个意外，同时砸中了女佣克里奥和雇主索菲亚，两人究竟该如何面对苦涩茫然的生活？四位孩子似乎是希望所在。 这是以导演阿方索·卡隆的儿时记忆铸成的影片，而卡隆其实就是片中某一位小孩。

描写了大学毕业生刘百合毕业后走南闯北打工创业，却连连遭遇挫折，并且欠下了外债，情急之下只能回家向父母求助，直到她遇见儿时伙伴牛大壮，她的崎岖创业路才开始发生转变……最后，刘百合在家乡创业成功，并且收获了爱情。

　　大学毕业生天翔（张学友 饰）出身贫寒，其父猜叔（董骠 饰）靠在榕树头卖唱养活天翔以及年幼的一子一女，天翔不愿父亲在市场唱黄色小曲挣钱，但无奈工资微薄，只得在同事的侧目中忍受。天翔在工作中踏实肯干，在好友大傻（刘青云 饰）的帮助下为公司立下功劳，同时大老板的妹妹比蒂（周海媚 饰）对天翔也颇为有意，二人感情渐浓之际，大老板却因天翔一家的地位低下而中断了这段姻缘，天翔只得从相邻的舞女周枫（张曼玉 饰）处获得情感慰藉。失去工作的天翔加入黑道团伙，与大傻一起同另一势力高佬森连番拼杀，高佬森一伙将大傻和周枫害死，天翔向高佬森寻仇之际，猜叔为保全儿子挺身而出……

　　曾经在京都木屋町一带小有名气的黑道大哥胜浦茂雄（远藤宪一 饰），五年前因替小弟出头而被人砍断四肢，成为令人不忍卒读的废人。而今他的地盘早交由好兄弟古泽武志（木村祐一 饰）打理，古泽则派出小弟坂本健太（三浦诚己 饰）照顾胜浦的衣食起居，并安排了一项只有胜浦才能胜任的工作。黑帮对外放出高利贷，为了逼迫债务人还钱，坂本就会把肉虫子一般的胜浦扔到对方家中。胜浦可怕的模样和乖张的举止往往让又臭又硬的债务人惊慌失措，最终他们都会接受黑道的安排，成为身心俱损的赚钱机器。
　　在陪伴胜浦的过程中，坂本渐渐对黑道的仁义产生怀疑，同时他也发现了关于胜浦的一个惊人秘密……

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).