手足情深1992

　　乌克兰前年的申奥片，摄影风格类似老塔【潜行者】的诗电影，以苏联大清洗为背景的高分，导演奥莱斯•萨尼恩的第二部被选送的申奥片，上一部是2003年的《Mamay》，和乌克兰的历史有关，又是饥荒，又是大清洗。算是一部讲民族独立的革命电影，用儿童视角，讲小人物的冒险，用外来者的眼光见证一段沉重的历史。

　　香港督察符永琳（吴毅将）因贪污罪被廉署检控，在押往法庭时被同党救出，混乱中更有一名高级督察被杀。符逃往大陆后，勾结当地流氓械劫银行并肆意杀人，被国家列作一号通缉犯。 　　当年曾被徐屈打成招而逃往内地的辉（张国梁）和祥偶然重遇符，遂矢志报复。可惜二人报复不成，反而被符追杀，幸得卡拉OK公关桑妮（钟淑慧）出手相救，而辉亦与桑妮日久生情。岂料桑妮原来是女警，与特警小红（张兰英）分别混入卡拉OK调查符。直至桑尼获知湖南帮计划在广西偷运枪械，才联合辉前往残灭符，最后一切也在一幢大厦内解决。

　　一个阳光和煦的午后，一对结缡三十多年的老夫妻，沿着港边小路漫步。他们久违的谈话，从子女的生活事，逐渐回归到两人的感情事。路途上，偶遇的旧识说着人世的聚散无常；当年相爱定情的场所，更显情感丢失后，无法寻回的惆怅。漫漫长路的终点，有着青春相伴的回忆与分离。

邵氏經典黃梅調鉅片，由凌波主唱的插曲《郊道》至今仍膾炙人口。故事講述，書生林肇德（凌波）自小與富翁王春（尤光照）之女千金（秦萍）訂親，惟王春鄙肇德落魄，迫其退婚；千金不值乃父所為，囑肇德發奮讀書，並叫其三更來取黃金百兩，以作赴考盤纏。肇德晚上依約前往，卻見婢女雪春（李菁）滿身鮮血伏屍後花園，登時嚇得魂飛魄散，更不慎留下一血手印於門上……

出生于乡村的小川哲梦（柳乐优弥 饰）自幼和动物生活在一起，喜爱动物的父母在家里弄了个半福利性质的小川动物园。受父母影响，哲梦也和这群可爱的小生灵培养出深厚的友情。 不久后，母亲志绪里（常盘贵子 饰）买进一头小象，取名“蓝迪”。大概天性使然，哲梦很快和蓝迪成为天性相同的好朋友。为了成为日本第一位训象师，哲梦踏上了前往泰国大象训练中心的求学之路…… 本片来源于真实事件，并根据坂本哲梦的母亲坂本小百合的小说《ちび象ランディと星になった少年（小象Randy與變成星星的少年）》改编。©豆瓣

　　A young girl stays with her estranged grandparents in the city while she waits for the results of her audition for an international performance group. Her grandparents welcome her, delighted about the chance to get to know their granddaughter better. While staying at the house, the girl gets to know her uncle, who suffers from a mysterious long-term lung illness and is mainly confined to bed. She also observes her grandmother's weird religious rituals, some involving a swimming pool in the basement. When the girl's father finds out that she is staying with his parents, he persuades his sister to visit the house to get her out, ending with a terrible tragedy.
　　

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　电影讲述即将搬家的青年夫妇"翰洁"和"美丽"，虽然激动却知道自己被骗了保证金。无处可去的"翰洁"带着"美丽"走向了某个地方的故事。

　　罗杰（加里·格兰特 Cary Grant 饰）是个平凡的广告商人，最近却莫名其妙的惹了一身的麻烦——他被别人错认成一名叫“凯普林”的人，还被人灌醉放进车中，意图造成车毁人亡，命大的罗杰却顺利逃过这一劫。这个离奇的经历让罗杰又后怕又好奇，为了证明自己的清白，他非要找出真正的 “凯普林”不可。
　　噩运在纠缠罗杰。他一路设法摆脱追杀，一边千里追踪凯普林的线索。他跳上了一趟开往芝加哥的列车，车上巧遇娇娃坎多（爱娃·玛丽·森特 Eva Marie Saint 饰），愿意助他一臂之力。眼看就快可以约见凯普林，事情却又起了波澜——他不但没有见到凯普林，还随之陷入了又一场危机当中。真相越来越扑朔迷离，拉什莫山的总统雕像，也成了一场生死搏斗的大舞台。

　　绰号「牧羊人」的职业杀手决定收起枪，开始新的生活，然而，他的组织老板委托他执行最后一项任务：确保保护老朋友的女儿，一位面临迫在眉睫的绑架威胁的非洲部长…

千惠子（岩下志麻饰）和早苗（岩下志麻饰）是一对孪生姐妹，出生后的姐姐千惠子，由于家境贫寒无力抚养，即遭遗弃，幸而为京都一家绸缎批发商所收养，作为倍受宠爱的独生女抚养，成为有地位的小姐。而妹妹早苗，虽没有被父母抛弃，却成为孤儿，长大后自食其力，到山里种植北山杉，生活艰苦。一次偶然，千惠子巧遇跟自己长得几乎一模一样的少女早苗，姐妹俩的身世真相大白。千惠子的内心因此起了微妙变化，姐妹俩久别重逢，但因彼此生活方式不同，终于不得团圆，为了不影响姐姐的幸福，早苗回到了原来的地方。

　　影片改编自真实故事，20世纪50年代的美国，从小励志改变命运的黑人企业家伯纳德（安东尼·麦凯 饰）和乔（塞缪尔·杰克逊 饰）在种族制度的枷锁下，创业处处受阻。不得已他们想出奇招，雇佣白人马特（尼古拉斯·霍尔特 饰）来扮演他们产业帝国的“老大”，伯纳德和乔则扮成门房和司机，幕后操盘。就在他们的产业帝国越发壮大之时，却面临暴露的危险……