金砖国家首部合作影片《时间去哪儿了》由贾樟柯监制，汇聚五位来自中国、俄罗斯、印度、巴西、南非的电影导演，以“不忘初心”的态度，分别以“时间去哪儿了”为主题拍摄一部电影短片，以自己的独特视角，讲述出自己对时间和情感的不同理解。五部短片依次为：巴西导演沃尔特·塞勒斯《颤抖的大地》、俄罗斯导演阿历斯基·费朵奇科《呼吸》、印度导演马德哈尔·班达卡《孟买迷雾》、南非导演贾梅尔·奎比卡《重生》以及中国导演贾樟柯《逢春》。
讲述了一个孤独症家庭，在社会各界的帮助下，为梦想不懈努力、执着奋斗的故事，呼吁全社会对残疾人的理解和关爱，传递了满满的正能量，弘扬了社会主义核心价值观。
《对局》是由北京东方飞云国际影视公司投资制作的数字电影，剧情简介：柳如云是洛城大财主柳家的千金，她刚刚重返故土，满心期待着同自己的男友、身为滇军第三十八路军机枪大队的大队长戴天德重逢，却不料大孤山的土匪闯入洛城，混不知情的柳如云被土匪头子贺子龙抓上山陪自己下棋。贺子龙答应柳如云，只要柳如云能够赢自己十盘棋，贺子龙就放她下山回家。然而贺子龙把柳如云带上山的事却在土匪中引起了轩然大波，尤其是二当家何芳和三当家赵婉儿……
古时，雨夜，杀命山，同寿客栈。 客栈内三教九流正闲谈吃酒，朝廷韩统领带“大内三杰” 闯入，以追查失窃国宝“龙鳞”为由，盘问众人。气氛肃杀诡异，一番口角暗战，“龙鳞”显现，然而众人的身份却都扑朔迷离起来！原来，偷盗国宝和故意让韩统领“找到”国宝的是一个人——叛军头领龙腾海！ 龙腾海是皇帝龙霸江的亲弟弟，龙霸江为夺皇位杀死父皇，在追杀太子龙腾海时，被韩统领放走。龙腾海逃过一劫后，决心杀掉哥哥登位。龙鳞经过龙腾海改造，已从国宝变为杀人利器，随时可置皇上于死地。同时，精于易容的龙腾海，为登皇位不惜白骨铺路、杀尽天下！ 一场惊心动魄的暗杀游戏，血腥上演，最终竟然呈现出神鬼南侧的诡异迷局。
Nature takes over when Ben (24) and his father Willem (52) decide to join a group of professional snowboarders to a remote mountain, bringing out their hidden grievances, silent connection and deep instinctual drive to help each other survive.
林虹，一位从外省来都市打工的年轻白领，热爱生活、又有正义感，有足够的聪明才智。无奈天生胆小、缺乏勇气，在事业、爱情面前一次次失去良机。 公司里有位清纯美丽、聪慧正直的真子小姐，林虹暗恋着她，但因胆小，一直没有向真子袒露心声。自私虚伪的部门经理张，垂涎于美丽的真子，嫉恨于聪明的林虹，对林百般挑剔、压制，甚至不顾一切地使用卑鄙手段，想从精神上打跨林虹。张经理的压制，自己的胆小懦弱，象座大山压的林虹喘不过气来，他只有在游戏厅里，面对激光靶上的敌人，一枪一个地宣泄着自己的激愤。 平静的陋室中来了两个陌生人，林虹无意发现他们身上有枪，胆小的林虹惊恐万分，房东王阿姨告诉他，是两个公安。林虹心中渐渐燃起了敬仰，他多希望自己能是一名警察，能有一支枪，能成为一个英雄。结果事与愿违，两个“公安”恰恰是两个被公安机关追捕的逃犯——阴险狡猾的吴刚、凶狠丑恶的高大庆。他们发现...
吴晓天，街道职业介绍所的临时工，但他目标很明确------成为一名职业猎头。 熟识的李姐告诉吴晓天，他们公司还缺个高级副总裁。 一筹莫展的吴晓天在大排档喝闷酒，无意中发现，给他上课的丁老师，以前正是个大集团的总裁！ 可当丁盛发现吴晓天的猎头身份后，出离的愤怒了。他拒绝了吴晓天。 就在吴晓天无计可施的时候，丁盛却来找他帮忙。为了给孩子治病，丁盛求助于地产公司老板崔忠祥------曾经他最亲密的合作伙伴，却又将他出卖的伪君子。 帮丁盛取钱过程中，吴晓天与崔忠祥及其手下发生矛盾，并在逃跑过程中被打伤。 当吴晓天将钱交到丁盛手里时，丁盛被感动了。 吴晓天鼓励丁盛重新出山，不仅仅是为了孩子，更是为了他自己。 这一次，丁盛没有再退缩。
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea." A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword: - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
