孙平夫妇有一子名小宝，孙妻百般溺爱，孙平又不能以身作则，因而对小宝的教育收效甚微。邻居蒋福根有一子阿龙，蒋对孩子动辄打骂，蒋母又对孙子一味袒护。由于家庭教育不当，小宝、阿龙打架、逃学、偷窃财物、离家出走。在学校和社会的帮助下，孩子认识错误，走上正路，家长们也从中吸取了教训。1962年大众滑稽剧团首演。1963年上海海燕电影厂拍摄成电影(易名《如此爹娘》)。1981年上海市人民滑稽剧团复演。
赣南山村少年吴优，中学毕业之后辍学在家，少年对外面世界的好奇，加上为了寻找离家出走多年的母亲，少年在一日清晨偷偷离家，踏上了北上的火车，从此开始了颠沛流离的异乡生活。少年在漂泊中成长，历经艰难，因为狼狈的经历和内心对故乡亲人的愧疚，久久漂泊异乡，乡愁也日渐浓郁，故乡的意义就像牵动风筝的轴。
11月20日，聊斋系列院线电影“聊斋新编四部曲”（《聊斋新编之画皮人》《聊斋新编之婴宁》《聊斋新编之辛十四娘》《聊斋新编之鸦头》）在象山影视城开机。电影由尹波执导，无限精彩（无锡）影业公司，安徽泽深影业，杭州宝行文化出品
李小璋（谭咏麟 饰）是下放到东风农场的知青，某日，他进城看戏，被剧团的赵团长、文化局的孙局长（雷明 饰）等人误认为是首长的儿子而接受了诸位热情的招待，李小璋一时之间找不到机会解开误会。 李小璋有一位名叫周明华（胡冠珍 饰）的女友，两人于农场相识，交往多年， 彼此之间感情十分要好。然而，周明华已经托关系将自己调回了城市，李小璋依旧留在农场，因此，周明华的父亲坚决反对两人的结合，可是，此时周明华的腹中已经怀上了李小璋的骨肉，如果不能及时结婚，她将身败名裂。如众星捧月般的李小璋受宠若惊，决心假戏真做，他利用有求于他的赵团长和孙局长，为自己搞到了回城的介绍信，然而，谎言总有被揭穿的那一天，身份败露后，李小璋站在了被告人的席位之上。
3个覆面少年打破社会常态，破坏“世界”的故事，今秋日本艺术院线公映。
梦想成为糕点师的23岁女孩星野遥（森川葵 饰），不久前刚刚前往某老字号西点铺应聘助理职位，可惜最终未获采用。就在此期间，一封看似垃圾的邮件发到小遥的手机上。邮件恭喜她获得一款智能软件的免费试用的体验机会，原本放弃梦想的女孩，被邮件中那句“你的梦，能实现”的话所抓住。她鬼使神差安装上了软件，启动后里面传来了一名男性的声音（斋藤工 配音）。对方自称“Luv”，承诺全心全意听取女孩的想法，并努力帮她实现。不管三七二十一，遥将自己渴望成为糕点师和想谈恋爱的想法全都告诉了Luv。在此之后，她果然成为了糕点师，而且还和帅气和蔼的同时相田直斗相识。 Luv竭尽全力出谋划策， 想方设法撮合遥和直斗的恋情。只不过经过一段时间的交流，遥对手机另一边的Luv悄悄产生了不可思议的感情和依恋……
小贩孙文光在一次事件中遭高级督察诬陷入狱，出狱后回家，始知旧居已遭卖掉，此时是一名叫七巧的少女居住其中，七巧乃坚女友，但却对孙生出好感。孙住在好友铁木真家中，铁之同居女友波子暗当私钟女郎，被坚召去大逞淫欲，孙知道后找坚痛殴一番。孙被卷入杀人案中，并误杀坚之表弟逃去，坚为了寻出孙，不慎严刑逼青铁及波，最后更导出人命……
本片以国家科学院人士的更替为主轴，将“文化大革命”和“四个现代化”在陆风起云涌的经过做为背景，时间则历经父母、子女三代，长达二十多年。
托马斯是位年逾花甲的医生，没有宗教信仰。他一直怀疑自己身患重病。于是，他开始思考生与死的意义。答案——或者说迹象——出其不意地始于医院监护室……影片题目灵感来源于华沙的城市墙壁涂鸦。生命是悲剧性的矛盾体，本身就是通往死亡的旅程。 赞努西作品《爱在山的那一边》同一个故事的另一个版本，剧情的重心转到了意外发现自己罹患绝症的老医生身上。透过主角的挣扎，这部探讨生命、死亡、爱与救赎的「临终电影」，沈稳有力地道出赞努西对哲学与伦理学的省思，参与过不少赞努西电影的老牌演员Zbigniew Zapasiewicz表现可圈可点。 《爱在山的那一边》:年轻的男主角，挣扎于应该改作服侍上帝的修士，还是回到医学院继续未完成的学业，他千方百计地寻找答案，甚至以危险的方式试炼自己，结果不但让相依为命的哥哥担忧，也连带影响了他和女友的感情。他向一个偶然认识的老医生提出他的疑惑，没料到这位步入生命终结的老人，在最后一刻意外帮助了男主角从自己强加的道德沮丧中挣脱出来。
该片由马克·史蒂文·约翰逊执导，改编自美国历史上一次的真实银行抢劫案件。
On February 2013, Haleem, born in Aleppo, Syria, plans to escape the civil war and go to Germany, where his sister lives, and later invite his family after being granted refugee status. During the transit in Korea, he is caught with a fake passport and denied entry. He is later sent to Turkey where he is denied entry again, ending up back in Korea. After staying in the deportation room in the Korean airport, he is sent to stay at a foreign shelter, when one day he hears of his son's death and goes into a violent rage, unable to handle the sad news. The lawyer in charge of his case continues to challenge his detention, and the Korean Ministry of Justice ends up canceling his Emergency Protective Order without notifying him. Haleem, who unintentionally stepped into unfamiliar Korean soil, finds himself working illegally at a construction site, where he meets Riyadh, an unregistered Arab resident. They comfort each other's pain and develop a father and son relationship. Haleem, who had saved money to bring in his family to Korea, spent all his hard- earned money paying off Riyadh's father's debts. With the help of Youssef, a Christian Arab, Haleem gets a job at a junkyard and a place to stay. But Riyadh gets into a serious accident and is pronounced brain dead after he is chased by immigration officers. The church elders and ministers plot to use Riyadh's organs for their church main elder's transplant surgery. They try to persuade Haleem to concede by telling him that the church can bring his wife and daughter from the Turkish refugee camp to Korea along with their missionary group. Haleem falls into a religious conflict and moral dilemma, leading other Arabs around him to misunderstand him. A story about a person stuck in the midst of cultural, religious, ethnic, and national conflict.
81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet have been based on for the past fifty years, find their most raw and recent form.
故事讲述被软禁在家中的预备大选竞选人和秘密监视邻居的一举一动的国家秘密情报要员，以及隔着一道墙的两个极端职业男子之间可疑而又隐秘的交易。
