笑之大学

简介：

　　勤亲王（刘家辉 饰）微服南下来到广东，在机缘巧合之下遇见了劫富济贫的侠盗义士何真（汪禹 饰），此时何真刚刚盗得了一批来自官府的珠宝，意气风发，于是和勤亲王之间展开了一场财富上的较量。当地官府包围了两人所在的醉仙坊，要调查珠宝的下落，勤亲王甚至何真的本性并不坏，甚至充满了难得的正义感，只是缺乏调教，于是出面替何真解决了这个大麻烦，并且顺理成章的带走了珠宝。
　　何真不甘心就这样眼睁睁的看着自己的囊中之物被他人夺走，于是再次来到了醉仙坊，勤亲王派出了青楼女子翠红（惠英红 饰）同何真周旋，将后者耍的团团转。

简介：

　　故事发生在堪萨斯州的一个小城里，当地的一名专替黑帮打官司的律师查理（约翰•库萨克 John Cusack 饰）平时运气平平，圣诞前夜却交了天大的好运。他和律师楼的拍档维克（比利•鲍伯•松顿 Billy Bob Thornton 饰）从当地黑帮老大比尔（兰迪•奎德 Randy Quaid 饰）那里弄到整整两百万美金！两人打算在圣诞节那天就携款远走高飞，查理还打算带上自己的红颜知己雷纳塔（康妮•尼尔森 Connie Nielsen 饰）一起。两人的美梦却在圣诞节当天被一场暴风雪击得粉碎。因为暴风雪的原因，当地的交通完全瘫痪，所有人都被困在了这个小城镇。眼看着比尔派来的杀手在步步逼近，警察也在追寻他们，查理和维克怎样度过这个风雪圣诞夜？

简介：

　　我们疯狂的憨豆先生（罗温•艾金森 Rowan Atkinson 饰）又来了！这次，我们的憨豆先生在英国一间画廊工作。画廊里的一副传世珍品被美国国家博物馆买走了，憨豆先生所在博物馆要派出一名专家运送这副画到美国。阴差阳错之下，这个专家就由憨豆先生担任了。
　　飞过古板的英国， 憨豆先生来到了美国。美国国家博物馆的馆长盛情接待了憨豆，在保险库里，憨豆得以独自一人欣赏名作。正当憨豆洋洋得意地近距离观赏名画之时，憨豆一个喷嚏把口水鼻涕都喷在了这副油画上！眼看油画的色彩开始随着自己的口水四处横流，憨豆慌忙之下拿起抹布想把自己的口水擦干。这一下，这副珍品彻底毁了！憨豆最后会否因为毁坏名画而被关进监狱？

简介：

　　五十年前，东海边的一个小渔镇出了两只妖怪，鸳怪和鸯妖。 为了修成人形，吃人无数。八仙降世伏妖，不料被鸯妖所逃，为后世遗留祸患。五十年后的八仙镇风波四起，阴时生人竟成为祭祀活物，河中妖物伺机而动，全城百姓人心惶惶 。
　　他们是一群不起眼的市井凡人，坑蒙拐骗不学无术。当骗子遇上捕快，本应该是正邪不两立的他们，竟因一场闹剧结伴而行，演绎一场假冒八仙的欢喜闹剧。半仙老头表面贪财无度，实则他师承捉妖天师，背负救世重任，收集百家之金只为修铸降魔杵，以化解人间浩劫。
　　鸯妖复活亡夫心切，百姓惨遭毒手，横尸街头。假冒八仙的骗子们的幡然醒悟，本可以一走了之的他们，抛下唾手可及的财富，单枪匹马以肉身为盾，付诸一战。性命垂危之时，幸而真八仙相助，铲除妖物，八仙镇重回安宁，他们的故事便被百姓传颂，奉为佳话，得“小八仙”之称。

简介：

打工人李欢喜回家创业，想用短视频把自己的民宿炒火，于是找来北漂回来的十八线小导演吴有用一起拍短视频，而一次无意中的拍摄，让两人结识了彝族女孩阿果，本来一切顺风顺水，民宿也开始扩建，结果疫情到来，而更让李欢喜想不到的是，阿果也将离开自己……

简介：

When the under-worlds of crime and show-biz collide, hit-men buddies Max and Sylvester are suddenly thrown in the midst of bizarre events and soap-like drama. Faced with the onslaught of sleazy intrigues and silicon boobs, friends must still complete their task - retrieve a missing shipment of drugs. And then, there's also a kidnapped delivery boy to save, loads of people to ki...

简介：Justin Long and Emmy Rossum are star-crossed lovers whose relationship blooms and unravels over the course of six years in this mysterious, dazzlingly original romance. When a chance encounter brings together the cynical Dell (Long) and the quick-witted Kimberly (Rossum), the stage is set for a tempestuous love affair that unfolds like a puzzle. As the film zigzags back and forth in time-from a meteor shower in LA, to an encounter in a Paris hotel room, to a fateful phone call-an unforgettable portrait of a relationship emerges. Sumptuously shot and boasting incredible chemistry between the leads, Comet is a one-of-a-kind cosmic love story.

简介：生活如同一只横冲直撞的犀牛，它打破你所有的计划，破灭你所有美好的希望，一步步的把你顶入绝境。 你是坐以待毙还是奋起反击？ 快递员英雄在城市里拼搏多年，只为买房和女友结婚。不料，他的钱却被坏人所骗。 英雄一路追击寻钱，却无意中卷入了三伙坏人的交易之中，女友小美也被绑架，命悬一线，他的生活彻底陷入绝境。英雄选择了绝地反击，运用勇敢和智慧，在坏人间展开了一场斗智斗勇的大战。

简介：

At the request of their daughter, a separated couple has to live together for thirty days after the ex-wife comes from a long psychiatric hospitalization.

简介：

　　一家小公司的职员们发现自己被困在办公室里永无尽头的一周循环之内，为了让关键人物部长意识到这一事实并打破循环，他们要使出浑身解数。

简介：

　　爱情的仪式感从不会缺席，要相信总有人手捧鲜花为你而来。范奎恩（柳岩 饰）和宫保（贾冰 饰）从针锋相对，到一个眼神就读懂彼此。他们共品人间烟火气，在朝夕相伴中，擦出爱的火花。但生活不是童话，当热情渐熄，他们是否还会始终如一的陪伴在彼此身边？

简介：

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.