八月迷情

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

在云南古城的清晨，几个年轻人开始了他们一天的生活：交警杨乐（余文乐 饰）在执勤时爱上了接送孩子们的幼儿园聋哑教师秦小悠（高圆圆 饰）；中日混血的大学生福田诚（铃木仁 饰）进入某剧组，为日本明星水野裕子（三宅尚子 饰）担任翻译助理。杨乐拜托表哥查问到了秦小悠的情况，并在小悠因身患绝症返回家乡时一路追随；福田诚受色咪咪的剧组男主角拖累，遭到水野裕子误会，然而他靠诚挚终于打动了后者。杨乐与小悠陷入爱河，二人有了爱情的结晶，然而此时小悠的病情恶化……另一方面，水野裕子完成拍摄，即将返回日本。杨乐与小悠，福田和水野，四个年轻人站到了各自的爱情路口……

Eva（蔡卓妍 饰） 与Adam（周柏豪 饰）拍拖十年多，却因一件小事突然分手。莫名被分手的Adam酒后与学生Mandy（ 卫诗雅 饰）发生了关系。可随后Mandy却在Adam家中意外发现了一本Eva所写的77次心碎记录，记事簿里Eva一次次的被伤害纪录历历在目?Adam愧疚不已，鼓起勇气在众目睽睽之前向Eva道歉。岂料，Eva却在Adam家中发现了Mandy的物品?到底她可否原谅Adam第78次呢？

　　本片设定在东京的一晚，一名时运耗尽的拳击名手利奥(洼田正孝饰)遇到了他的初恋莫妮卡(小西樱子饰)。莫妮卡是一名吸毒的应召女郎，但她依旧很天真。莫妮卡不知不觉陷入毒品走私计划之中，两人在这晚被腐败的警察、黑帮、利奥的对手以及三合会派来的女杀手追杀。

　　二战期间，卡萨布兰卡是欧洲逃往美国的必经之地，那里鱼龙混杂，局势紧张。里克（亨佛莱•鲍嘉 Humphrey Bogart 饰）是一个神秘的商人，他在卡萨布兰卡开了一家人气很旺的夜总会，并拥有两张宝贵的通行证。一天，反纳粹人士维克多和妻子伊尔莎（英格丽•褒曼 Ingrid Bergman 饰）来到夜总会，原来他们正在逃避纳粹的追捕。碰巧的是，里克发现，伊尔莎竟然是他的旧日情人。那段爱曾经刻骨铭心，却因为一个误会而终止。而当误会消解时，伊尔莎和里克的感情还是不可避免的重燃了。里克手上的两张通行证能帮助维克多度过难关，但这样一来，伊尔莎是决定留下，还是离去，他们的爱情在政治和伦理的推波逐流中走向何方。

Disney Channel原创电影 　　地点——Seabrook社区，过去一场由一瓶青柠苏打水所引起的泄漏事故，一部分的居民被转变成了僵尸（zombie）。数十年后，人类和僵尸虽然勉强能共处，但人类对僵尸们还是保持着怪物的观念，使僵尸们在生活中处处受到低人一等的待遇。 　　僵尸少年Zed活力幽默，想要加入学校的橄榄球队，人类少女Addison正直善良，立志成为一名啦啦队员，他们在学校中相遇，互生情愫。Addison在相处之中，发现僵尸们有很多的优点，与自己从小被灌输的形象大相径庭，而Zed则希望通过自己的努力，为僵尸们争取更多的地位。 　　他们将如何跨越那些因为人们守旧的观念所带来的障碍呢？

「愛情是不存在的，存在的只是愛情的證據。」-畢卡索 蔡偉大，廣播劇撰稿手。12年來，蔡偉大的愛情只存在夢中和稿紙中， 直到配音員伍伶依造成的意外，讓他與『初戀』－溫馨走出夢境，在現實重逢！無奈溫馨已是人妻，而且飽受老公疑似出軌之苦。 一個瘋狂的想法在蔡偉大的心中產生……"抓到她老公出軌的證據，幫助溫馨脫離愛情的墳墓，奪回自己的初戀！ 蔡偉大找上伍伶依，組成「抓猴二人組」，展開獵愛任務！

李海松（蔡国权 饰）和黄春明（秦沛 饰）是从小到大的好友，如今，黄春明和妻子玛丽（姚炜 饰）已经八年之久了，而李海松依然过着无拘无束的快乐单身汉生活。饱受婚姻之苦的黄春明非常羡慕李海松的自由身，但他并不知道的是，人后的李海松常常会陷入孤独之中，非常渴望拥有一个温馨的家庭和一段稳定的关系。 　　实际上，李海松有一个交往多年的女友南希，可是南希是一个将全部心思都投入到了事业中的女强人，李海松屡次向她求婚，但都被后者婉拒。一次偶然中，李海松在机场结识了名为苏西（叶童 饰）的空姐，个性阳光开朗的苏西很快就吸引了李海松的注意。

　　被三大门派（仙鹤门、金蚕教、青莲派）封印的妖王为恢复元神迫使手下恶魔吸取老百姓的精元，在至纯之体降临凡间之时，抢夺的男婴白玉郎被仙鹤派所救，18年后长大成人，最终通过重生与妖王恶战，在心爱之人玲珑（谢闻轩饰）的帮助下终于将妖王彻底诛杀。从此，在后世的传说中，白玉郎行走江湖，降妖除魔。

　　本片讲述了一群在魔法学院学习的学生，其中一个学生柯豆豆意外身亡，大家怀疑是哈吉娜所害，但是学长路小布发现有很多疑点，为了帮助同学洗脱罪名，开始调查，期间发现同学江兰心也在练习黑暗魔法，为了治疗昏迷很久的弟弟兰诺，不想结果却是他们的校长是大巫神的奴仆，是他害死了柯豆豆，当这个阴谋被揭穿后，路小布及小学妹倾尽一切加入解救兰诺的计划中，一同跟院长斗智斗法，最终找到了光明魔法惩治了校长，学校得以平静。

　　抗日战争时期，小八路伊汝和首长毕 竟来到羊角垴，结识了山区姑娘妞妞及其养母赵大娘。一日，日军袭击山村，为了掩护妞妞，伊汝身负重伤。 养伤期间，伊汝和妞妞一家结下了深厚的感情。解放后，毕竟当了部长， 伊汝成了省报记者。他不顾部长夫人的阻挠，回到羊角垴，与妞妞结为夫妻。但甜美的生活只过了三天，伊汝因在党小组会上向领导提了意见，被划为右派分子，遣往青海劳动。伊汝断绝了与所有亲人的联系，只身一人 忍受痛苦。几年后，在戈壁滩上，伊汝偶然与毕竟相逢，原来毕竟也因右倾错误被遣送至此。毕竟向伊汝倾诉了这几年自己的感受和反省，并描述妞妞和赵大娘期待伊汝相见的情景，伊汝深为感动。党的十一届三中全会 后，伊汝的问题得到改正。他急切地回到羊角垴，盼望着与家人重逢。在当年的洞房内，他看到整齐排放着妞妞为他缝制的22双布鞋，在赵大娘坟前，妞妞正带着他们的女儿心心，待着他的归来。