与玛格丽特的午后
63
9.0
HD
与玛格丽特的午后
9.0
更新时间:03月28日
主演:热拉尔·德帕迪约,吉赛勒·卡扎德絮,帕特里克·伯利奇,弗朗索瓦-格扎维埃·德梅松,莫拉娜,让-弗朗索瓦·斯泰弗南,克莱尔·莫里耶,索菲·吉耶曼,梅兰妮·贝尔内尔
简介:

  肥胖、粗俗而不失善良的50多岁男人基曼(杰拉尔·德帕迪约 Gérard Depardieu 饰)住在母亲花园旁的房车里,平时打理菜园,和朋友们泡小酒吧,时而和年轻女友安妮特(索菲·吉耶曼 Gisèle Casadesus 饰)在小窝里浪漫温存,过着平静的生活。然而,他的内心却有着不为人知的脆弱和苦楚,母亲在不想要他的情况下怀上了他,从来不知道父亲是谁;老师因为他的愚笨嘲弄;哥们儿喜欢他却又常常嘲笑他。女友想要个孩子,他却因自卑一直不肯答应,导致两人关系紧张。
  有一天,基曼在公园里遇到了一边养着鸽子一边在大声读小说章节的玛格丽特(吉赛勒·卡扎德絮 Gisèle Casadesus 饰),他荒芜的脑袋里开始萌芽。知识渊博的玛格丽特是一个退休的农艺学家,几乎花了她一生的时间用来周游世界和阅读文学作品。从此,基曼把午后的时间交给了玛格丽特的阅读......

5832
2010
与玛格丽特的午后
主演:热拉尔·德帕迪约,吉赛勒·卡扎德絮,帕特里克·伯利奇,弗朗索瓦-格扎维埃·德梅松,莫拉娜,让-弗朗索瓦·斯泰弗南,克莱尔·莫里耶,索菲·吉耶曼,梅兰妮·贝尔内尔
O somma luce
970
9.0
HD
O somma luce
9.0
更新时间:03月28日
主演:Giorgio Passerone
简介:

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
  “The end of paradise on earth.”—Jean-Marie Straub
  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
  The mise en scène of what words exactly?
  The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
  Is “Straubie” Greece?
  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

981
2010
O somma luce
主演:Giorgio Passerone
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