烈日灼人2(上):逃难
131
9.0
HD
烈日灼人2(上):逃难
9.0
更新时间:03月26日
主演:尼基塔·米哈尔科夫,欧列格·缅希科夫,娜杰日达·米哈尔科娃,弗拉基米尔·伊林,维柯托里娅·托尔斯托加诺娃
简介:

  《毒太阳2》的故事将延续前作,继续展示展现灼热的、如史诗般的悲剧人生,在充斥着暴力、有如巨大车轮不断碾过的战争里煎熬。
  1941年,科托夫将军和他的家人发生那个惊天巨变之后已经过去五年了。
  战争一开始,科托夫奇迹般地从营地逃出,也因此而被判刑。因为相信自己一定会被苏联政府判处死刑,所以,他便作为一名私人志愿者被部队招收去前线。在战场上,他无情地打击德国军队。在严重受伤后,科托夫被一再的提供光荣退役的机会,但是因为坚信自己的妻子玛露莎和女儿娜迪雅已经死在劳工营地,他选择留在战友的身边继续战斗。
  事实上,事情的发展已经远远超过科托夫的预期。他的妻子和女儿活了下来。女儿娜迪雅,已经成长为一名战地护士,她确信自己的父亲还活着,正在不顾艰难险阻寻找着他。
  1943年,克格勃主要领导人阿森提夫——科托夫的克星,这个人负责科托夫的逮捕和定罪工作。命令由斯大林本人亲自下达,一定要找到这位前任将军。
  阿森提夫能在这个被战争摧毁的国家找到他吗?更让人不可理解的是,为什么过了那么久,斯大林才下令找他,难道这其中有什么隐情?

8136
2010
烈日灼人2(上):逃难
主演:尼基塔·米哈尔科夫,欧列格·缅希科夫,娜杰日达·米哈尔科娃,弗拉基米尔·伊林,维柯托里娅·托尔斯托加诺娃
O somma luce
970
9.0
HD
O somma luce
9.0
更新时间:03月28日
主演:Giorgio Passerone
简介:

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
  “The end of paradise on earth.”—Jean-Marie Straub
  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
  The mise en scène of what words exactly?
  The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
  Is “Straubie” Greece?
  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

981
2010
O somma luce
主演:Giorgio Passerone
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